Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them in some way or another can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movi...
一个悲观观点，即使核爆后，世界最后只剩五人，也还在纷争，那个自私、残暴的人宣称自己是为了找到更多同类，而实施暴力， 他为达目的，不择手段。当然还好，他的毁灭，婴儿的死去，揭示新的秩序的开始。
登山的人象征着人类的恶，贪婪、自私、自大、无知、懒惰、残暴、愚昧、歧视。死去的婴儿象征对旧时代的眷恋和执念，婴儿死去了，登山的人最终也会死去，宣告旧时代正式结束，一个崭新的世界开始了。结局非常柏拉图，像个寓言故事，人物符号化，镜头和剪辑似乎也有所隐喻。
还可以。51年的作品有它的局限性。
看过留痕
