The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the ex-bass player of Fear). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche
这一集，更多关注了那些流浪街头的Punk青少年。音乐相对淡化了一些
三部曲食用完毕，以摇滚乐、金属、朋克为切入点，最后扩展到了整个青年亚文化群体。导演的同理心很难得。
The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the ex-bass play...
真·朋克
