Far into the mountains, in a community led by a preacher named El Señor, a new child who is supposed to be the new messiah, is brought, and with him destruction and redemption. Soon, everything will change. Not only for the town, but on the preacher's home as his 3 daughters start to wonder the real origins of God itself, the nature of love, pleasure and inner freedom.
仿佛仲夏夜降临在哥伦比亚，El Señor会想到El castillo de la pureza里的Gabriel，两部电影主题也颇有相似之处，故事是19世纪的在场感，录音机和盒式磁带作为核心象征性意象之一造就一种在其之上的错位感，而隐喻/符号的使用像在整改这种“脱节”，往后是愈发保守和可预想到的情节走向
